unwtoAccording to the latest United Nations World Tourism Organization (UNWTO) World Tourism Barometer, international tourism receipts hit a new record in 2012, reaching an estimated US$ 1075 billion worldwide, up 4 per cent in real terms, from US$ 1042 billion in 2011.

Receipts from international tourism in destinations around the world grew by 4 per cent in 2012 reaching US$ 1075 billion. This growth is equal to the 4% increase in international tourist arrivals which reached 1035 million in 2012. An additional US$ 219 billion was recorded in receipts from international passenger transport, bringing total exports generated by international tourism in 2012 to US$ 1.3 trillion.

According to the latest UNWTO World Tourism Barometer, international tourism receipts hit a new record in 2012, reaching an estimated US$ 1075 billion worldwide, up 4 per cent in real terms, from US$ 1042 billion in 2011.

“It is encouraging to see that the growth in international tourist arrivals was equalled by a comparable increase in spending in spite of continued economic challenges” said UNWTO Secretary-General, Taleb Rifai. “Considering that tourism is a key export for many economies around the world, this result is good news as it provides foreign reserves to destinations, and contributes to job creation in tourism as well as in related economic sectors” he added.

By regions, the Americas (+7 per cent) recorded the largest increase in receipts, followed by Asia and the Pacific (+6 per cent), Africa (+5 per cent) and Europe (2 per cent). Receipts in the Middle East were still down (-2 per cent); yet report a steady improvement compared to the decline recorded in 2011.

In absolute values, Europe saw US$ 457 billion in tourism earnings equivalent to 43 per cent of the world’s total tourism receipts, the largest share by region. Destinations in Asia and the Pacific (US$ 323 billion) account for 30 per cent of international tourism receipts and the Americas (US$ 215 billion) for 20 per cent. In the Middle East (4 per cent share) total tourism receipts reached US$ 47 billion and in Africa (3 per cent share) US$ 34 billion.

Except for international tourism receipts (the travel item in the Balance of Payments), tourism also generates export earnings through international passenger transport. The latter amounted to an estimated US$ 219 billion in 2012, bringing total receipts generated by international tourism to US$ 1.3 trillion, or US$ 3.5 billion a day on average.

International tourism (travel and passenger transport) accounts for 30 per cent of the world’s exports of services and 6 per cent of overall exports of goods and services. As a worldwide export category, tourism ranks fifth after fuels, chemicals, food and automotive products, while ranking first in many developing countries.

The top 10 ranking of destinations by receipts remained virtually unchanged in 2012, with the United States, Spain, France, China and Italy leading, followed by Macau (China), Germany, United Kingdom, Hong Kong (China) and Australia.

A number of the more mature destinations among the world’s top 10 earners showed remarkable results: the United States (+11 per cent), France (+7 per cent), Germany (+6 per cent), the United Kingdom (+5 per cent) and Hong Kong (China) (+14 per cent). Other advanced economy destinations with growth rates of 10 per cent or above include Sweden (+17 per cent), Japan (+33 per cent), the Republic of Korea (+14 per cent) and Finland (+16 per cent).

Among the emerging economy destinations highest receipts growth was reported by Thailand (+25 per cent), India (+22 per cent), Poland (+13 per cent), South Africa (+18 per cent), Egypt (+14 per cent), Vietnam (+18 per cent) and Ukraine (+13 per cent).

unescoIt was befitting honour to a music genre hugely underappreciated as the United Nations (UN) penultimate Wednesday kicked off celebrations for the second International Jazz Day, with a concert in Istanbul, along with other performances and educational programs across the world highlighting the musical genre’s role as a powerful tool for peace, dialogue and cooperation.

“No musical art form is more powerful as a diplomatic tool than jazz,” said the Director-General of the UN Educational, Scientific and Cultural Organization (UNESCO) Irina Bokova in her message for the International Day, observed each year on 30 April.

“For over a century jazz – the universal language of passion and benevolence – has united people of disparate cultures, religions, and nationalities, fostered and strengthened communication and partnerships among heterogeneous groups,” she said, adding that jazz has also enhanced the peace-making process and demonstrated just how much all people have in common.

Born in the city of the United States city of New Orleans at the beginning of the 20th century, jazz is rooted in African traditions, draws from European musical forms, and has evolved into various styles across the globe.

International Jazz Day events, which are organized by UNESCO and the Thelonious Monk Institute of Jazz, seek to spotlight the historic influence the genre has had in connecting people and igniting social change.

“Jazz stands for freedom, symbolizes democracy, and has soothed and uplifted the spirits and souls of millions of people residing in all corners of the globe, particularly the disenfranchised citizens who otherwise would have great difficulty expressing and channelling their feelings, emotions and opinions,” Ms. Bokova said.

Concerts, conferences and discussions about jazz and its principles will be ongoing throughout the day, not just in Istanbul, but across all seven continents, as well as community events in schools, clubs, town squares and village centres, UNESCO said in a news release.

Turkey has an age-old tradition of jazz. In the 1930s, the country’s first ambassador to Washington, Munir Ertegun, opened his embassy’s parlours to African-American jazz musicians, who gathered there to play freely in a socio-historical context which was deeply divided by racial segregation at the time.

Inspired by this legacy, the ambassador’s sons, Ahmet and Nesuhi, went on to establish the United States’ first jazz and gospel label in 1947 – Atlantic Records – which was helped spread jazz music around the world.

This year also marks the beginning of the International Decade for People of African Descent, and UNESCO noted that the African continent would be doubly honoured, as jazz draws its origins from that region of the world full and rigorous implementation of the peace agreement, which she has dubbed “a framework of hope.”

She said she was encouraged by her discussions thus far and would also be “straight and direct” if she felt the process was not moving forward adequately.

Last November the M23 rebel group – made up of former members of the DRC national army (FARDC) who mutinied in April 2012 – occupied Goma. Clashes between the Government and rebels displaced more than 130,000 people in and around the city, and sent another 47,000 fleeing to neighbouring South Kivu province. Amidst widespread condemnation and calls for their withdrawal, the M23 fighters pulled out after 11 days.

In the wake of those events, the Security Council in March authorized the deployment of an intervention brigade within MONUSCO to carry out targeted offensive operations, with or without the Congolese national army, against armed groups that threaten peace in eastern DRC.

Asked about the coming establishment of the intervention brigade, Robinson stressed that it could play an important role, particularly if it is able to act preventively as a deterrent, with limited strategic military operations. It would be vital that it operated in full compliance with international human rights and humanitarian law, she added.

Robinson has arrived in Rwanda for the next leg of her regional tour, which will also take her to Uganda, Burundi, South Africa and Ethiopia.

ntn dramatizedThe National Troupe of Nigeria (NTN) has announced readiness to host the second edition of the annual dramatized storytelling competition for schools this time incorporating schools in both Lagos and Abuja.

The maiden edition of the dramatized storytelling competition which is held in line with the National Troupe’s objectives of providing a platform for the discovery and showcasing of talents featured students from primary and secondary school in Lagos.

According to Director of Drama of the National Troupe and coordinator of the dramatized storytelling competition, Ms Josephine Igberaese, the competition which will coincidentally celebrate Nigeria’s one hundred years of existence, is being held this year to also complement the January 18th 1980’s resolutions on storytelling adopted by the conference on folklore held under the auspices of the Centre for Nigeria cultural Studies, the Federal Ministry of Culture and the United Nations Educational, Scientific and Cultural Organization (UNESCO) to encourage the preservation and promotion of Nigeria folklore.

‘’Since the storytelling is the science of the survival of old beliefs and customs in modern times, and the study of ancient observances and customs, the notions, beliefs, traditions, superstitions and prejudices of the common people-this therefore is the task ahead of those intellectual gathering of students from schools to examine how the dictates of storytelling could be effectively utilized to achieve national integration through this carefully selected sub-theme’’ Igberaese said.

On his part, Artistic Director and Chief Executive Officer of the National Troupe Mr. Martin Adaji noted that the competition which aims at ensuring meaningful communication of all aspects of storytelling, is also designed to explore how storytelling could be utilized to correct inadequacies of the youth especially in the age of technological advancement.

‘’I am sure with technology where with just a dash on the internet you can get all information you need, people will ask why story telling. But the facts are that our brains become more active when we tell stories. Whether it is a novel, a movie or simply something one of our friends is explaining to us, because they come in words and sounds, which are often by improvisation or embellishment. Since it is 100 years of Nigeria existence as a nation, the chosen theme cannot be anything but the unification or the act of bringing together the diverse and at times conflicting educational, social, political, economic, religious, ethnic and cultural element in our society into one single whole’’ Adaji said.

The Artistic Director expressed optimism that the programme will in the long run achieve its intended aim which is to ‘’re-organize and restructure our youth’s mindset to ward off destructive and insidious influences brought about by films, songs, magazines and telecommunication gadgets all of which becloud their young minds, ’’further adding: “It is for this reason that we have initiated this project as a way of helping to bring back our fading storytelling tradition”.

Billed to hold in Lagos and Abuja in the last week of May as well as the first week of June 2013, the competition, which is open to primary and secondary schools in and around Lagos and Abuja will begin with the preliminaries and elimination stages.

Like in the maiden edition, which was staged at the National Theatre, schools that scale the elimination stages will perform to a very large audience, which will include art patrons. Certificates of participation and valuable educational materials will be awarded to successful participating schools.

A statement from the Troupe also indicates that each school participating in the competition will be allowed to choose their own method and mode of presentation. However stories to be re-enacted can include music, drama, puppetry or any other visual element and must be related to Nigeria’s 100 years of existence, as well as teach morals that in our diversity, lies our unity as a nation.

In a related development, Dance Merchant foremost choreographer and Director of Dance of the National Troupe of Nigeria, Mr. Arnold Udoka has been elected President of the Dance Scholars Society of Nigerian (DSSN).

Udoka’s election followed a unanimous decision reached at the end of the roundtable conference and maiden meeting of the society held at the National Theatre, Iganmu Lagos on April 28. In his post election speech, Udoka stressed the need for there to be an interface between academicism and practice in Nigeria. ‘’We want to approach dance in a way and manner that it becomes a major factor of the Nigerian cultural sector. We want to take dance beyond its perception of being just singing and shaking the body. We want to position dance as a crucial aspect of our culture and indeed as a major attribute of our Nigerian Cultures. We as a society have recognized that we have not exploited the potentials of dance to the fullest. We take dance here for granted and don’t consider its artistic or therapeutic value because we have them in abundance.

“I am happy that government on its own has tried to project to us the artistic values of the dance and that’s why I am with the National Troupe working on dance. Dance in Nigeria has a bright future and most young people are getting into it. What we should build now is how to move dance from being an all-comers affair to the professional realm where one can earn a living from dancing and as well contribute to the nation’s GDP,” Udoka who is also a published playwright and poet said.

jwThe JW Marriott’s brand officially celebrated its landmark luxury hotel May 1 in the Middle East with the formal opening for business of the JW Marriott Marquis Dubai, officially the world’s tallest hotel.

Acquiring the coveted title of World’s Tallest hotel from the Guinness Book of World Records, the 72-storey property is the first JW Marriott Marquis outside of North America and the 59th addition to the brand’s global luxury portfolio.  A host of international VIPs, including Marriott International’s President & CEO Arne Sorenson are in Dubai this week for the official unveiling.

Soaring at 355 meters (1,164 feet), the JW Marriott Marquis Dubai is just 26 metres shorter than New York City’s famed Empire State Building. In Dubai, known throughout the world for its awe-inspiring architecture, the hotel’s towers have already become an icon on the city’s skyline.

“Dubai is an important destination for Marriott International as one of the world’s most exciting cities offering world-class facilities and infrastructure, central location in the region and future growth potential, “said Arne Sorenson, Marriott International President & CEO. “Our expanding collection of world-class JW Marriott hotels offers accomplished travellers a one-of-a-kind luxury experience. The investment in this unique and visually stunning hotel is testament to the continued opportunities that lie ahead for the brand and company.”

In addition to serving luxury business travellers, the hotel, which is owned by Emirates Group, targets the lucrative and increasingly important MICE (meetings, incentives, conferences and exhibitions) market by filling a long-identified gap in the region.  Groups, meetings and conventions of up to 1,000 people can now meet, stay and dine, under one roof.

The hotel is the first in Dubai that is able to accommodate large groups and will play a key role in attracting major conventions and events to the destination.  Along with cutting-edge business facilities, the JW Marriott Marquis Dubai features more than 7,500 square meters of indoor and outdoor event space, including two ballrooms, and a large selection of world-class dining and entertainment options.

The JW Marriott Marquis Dubai offers an enticing array of nine restaurants, and five bars and lounges, including the  sky-high steakhouse Prime 68; the experiential sushi restaurant, Izakaya; and stunning cocktail bar Vault, which is situated on the 71st and 72nd floors and features panoramic views of the city.  The hotel is also home to Rang Mahal by Atul Kochhar, the first Indian chef to be awarded a Michelin Star.

The 4,000 square-meter Saray Spa and Health Club draws inspiration from the caravanserai silk route across Arabia, with treatments designed to ensure mind and body renewal.  Treatments include the Signature Milk and Honey treatment, an Arabic Coffee Awakener, and Lemon Mint Body Polish.  A sprawling pool deck covers the 7th floor of the hotel with a 30-meter swimming pool.  Aqua Poolside Bar and Grill draws inspiration from Miami’s renowned South Beach, offering light snacks and beverages throughout the day.

“Conference organizers and businesses around the world are noticing Dubai’s growing influence as a global business hub,” said General Manager, Rupprecht Queitsch.   “We are thrilled to be officially open and believe this iconic new property will set a new standard in business hotels, not just in the region, but throughout the world.”

sheraton lagos hotels Top Starwood Hotel brand in Nigeria, the Sheraton Lagos Hotel, has announced the launch of a new wine programme to be served at the Ikeja, Lagos-based hospitality establishment, tagged; the Sheraton Social Hour.

Also a first-of-its-kind in the hotel, the premium wine programme developed by premier wine experts and the brand’s global food and beverage team, offers guests a specially-curated menu of premium wines and weekly tasting events.

In a news release made available by Sheraton Lagos Sales & Public Relations Co-ordinator, Ms. Deborah Benjamin, the hotel also revealed that the new programme will feature premium wines from the Sheraton Selects menu as 2 oz. tastings.

According to General Manager, Sheraton Lagos Hotel, Mr. Alexander Gassauer, the new programme which will platform Social Hour tasting events every Sunday at the Goodies Pub from 5pm – 7pm, is designed to create and foster social interaction among guests

”The Sheraton Social Hour programme offers guests of Sheraton Lagos Hotel an elevated wine tasting experience featuring some of the most highly rated wines in the world,” said Gassauer, who also doubles as Area General Manager for Starwood Hotels in Nigeria.

Continuing, Gassauer stated that Sheraton Hotels piloted the new programme in 19 global properties to tremendous success.

“Internal research conducted by the brand found that 66 per cent of guests would be more inclined to purchase wine while travelling if there was a premium wine programme offered. After experiencing a Sheraton Social Hour pilot programme, 95 per cent of guests said they are ‘very likely’ or ‘likely’ to return to another Social Hour and would recommend the programme to others, “ the Sheraton chief said.

During the Sheraton Social Hour, the hotel will offer guests a specially curated menu of premium wine including Frontera Cabernet Sauvignon, Frontera Merlot, Frontera Cabernet Blush, Frontera Late Harvest, Frontera Sauvignon Blanc, Frontera Moscat, Casillero Del Diablo Chardonnay, Casillero Del Diablo Sauvignon Blanc, Casillero Del Diablo, Cabernet Sauvignon, Casillero Del Diablo, an upgraded premium wine menu comprised of a rotation of eight or more wines by the glass, from Casillero del Diablo and Frontera wines.

Sheraton is the largest and most global brand of Starwood Hotels & Resorts Worldwide, Inc., is one of the leading hotel and leisure companies in the world with 1,090 properties in 100 countries and territories with 154,000 employees at its owned and managed properties.

Starwood Hotels is also a fully integrated owner, operator and franchisor of hotels, resorts and residences with the following internationally renowned brands: St. Regis®, The Luxury Collection®, W®, Westin®, Le Méridien®, Sheraton®, Four Points® by Sheraton, Aloft®, and ElementSM.

The Starwood Preferred Guest (SPG), allows members to earn and redeem points for room stays, room upgrades and flights, with no blackout dates.

nigeriasatAt the recently-concluded annual South Africa Tourism (SAT) West Africa Trade workshop which held at the Federal Palace Hotel, Victoria Island, Lagos, the agency responsible for the marketing and promotion of the national destination of South Africa did not mince words when it declared that Nigeria will remain the hub of all its marketing activities on the West Africa sub-region.

“Nigeria as a hub for South African Tourism marketing activities will cater for countries in the West African region including Ghana which has been identified as a tactical market for SA Tourism marketing initiatives”, Mr. Phumi Dhlomo, SAT Regional Director for Africa & Domestic had said.

From January to December 2011, about 64, 402 Nigerians visited South Africa. The figure compared to the 2010 Nigeria tourists arrivals for same period represented 37.5 per cent increase. This year, there has been 21.4 per cent increase on Nigeria arrivals in South Africa from January to May 2012 compared to the same period in 2011.

Such is the position of South Africa in Nigeria and among Nigerians that it also presently hosts well over a million legal Nigerian residents, including a large Nigerian artiste community who have temporary homes in parts of South Africa following a preference for that country for locations shooting.

Increasing too, South African artistes now see performing in Nigeria as a hallmark of craftsmanship and professional endorsements in the careers. As it is, a South African artiste who has not performed in Nigeria does not feel appreciated enough. Such is the level of Black experiences among nationals of both countries.

South Africa today remains one of the country’s top sources of foreign direct investment (FDI) on the sub-Saharan region as the level of horizontal, vertical or platform foreign direct investment (FDI) between Nigeria and South Africa alone, is astounding, with net capital inflows into Nigeria from the businesses of the country’s nationals resident in South Africa accounting for an appreciable figures in the sum total of Nigeria’s net capital inflows. In the same way as significant returns on investment (ROI) annually declared by most South African private businesses operating in the country can only mean increased net capital inflows to the southern African country.

Relations between both countries at the diplomatic level may have taken a turn for the worse in the wake of March 2012 following the embarrassing mass deportation over 100 Nigerians by the South African Immigration department on the suspicion of possessing fictitious yellow cards, as well as the retaliatory action by Nigeria of deporting nearly 30 South Africans.

However, and commendably too, high-level genuine moves by both governments aimed at improving relations have taken place with the Nigerian government officially commencing the distribution of a new encoded international certificate of vaccination and prophylaxis (yellow card) for Nigerian international travellers in March, this year.

On its part, South Africa may have even kicked off moves at exploring the full potential of relations with Nigeria with the official outsourcing of visa processing by the government back in 2010 following the opening of an independent South African Visa Application Centre to handle the well over fifty thousand annual South African visa applications and operated by the VFS Global Services, Ikoyi, Lagos aimed at ensuring efficiency and timeliness in the issuance of visa to potential Nigerian travellers.

In addition, the country has moved to formally commission the new South African Chancery and residential building in Abuja, its equivalent of the South African Culture and Tourism House.

Huge arrivals into the country as a result of the draw of international entertainment events organized by international broadcast groups and telecommunications outfits account for more than 50 per cent tourist arrival figures which has also regularly seen jumps in South African artistes who storm event centres across the country, in the same way as Nigerian artistes do in South African stages.

Observers believe President Jonathan’s official state visit to the country planned for this May from 6 to 8, represents a huge step in the direction of actualizing the tenets of his administration’s much-touted Transformation Agenda which by extension seeks to position the country’s economy at proper perspective among the comity of major players in the global economy.

That direction was earlier signposted as members of the organized private sector had begun making appreciable strides at exploiting the huge economic benefits of tapping into the potential that formal platform for full bilateral relations between both giants in the sub-Saharan economies portend.

Recall that in October last year, the very best of Nigerian and South African traditional lifestyles and art as well as fashion sense, cuisine, business opportunities, among others were on showcase as Lagos-based Inspiro Productions with the full endorsement by The South African High Commission in Lagos presented an exposition of tourism and business in a fiesta tagged; A Tale of 2 African Cities.

That event which featured an exposition of arts/culture, tourism and business and with participants from both countries followed in the wake of a renewed vigour to strengthen relations between the two countries after two editions of the Nelson Mandela International Day celebrated were elaborately commemorated in Lagos.

“This promises to be an exciting cultural exchange extravaganza in Lagos by showcasing both countries’ cultures through art, music, fashion, South African and Nigerian cuisine and so on, which will without doubt remain a footprint of two countries in action for positive change. Our view is that this is an opportunity for south Africans and Nigerian to come together as Africans and share life experiences, appreciate each other’s culture but at the same time showcasing other talents in various facets,” said South African High Commission (SAHC) Counsellor-Political and Head of Lagos Office, Ms Thandi Mgxwati, while declaring open  that showpiece.

“It will further showcase both countries’ rich cultural heritage and by extension promote the African agenda’, just as it noted that it remains committed to advancing the objectives of the African Agenda through partnerships with like-minded Nigerians,” Mgxwati had said at the event.

That showcase also explored arts and culture, business and tourism initiatives by creating platforms for exchange which is expected to open up insights into both cultures, their heart beats and dynamism and help build capacities through Knowledge transfer and ideas exchange/interaction.

Nigeria has consistently provided the biggest grounds outside South Africa itself and within the sub-Saharan Africa for the annual commemoration of the Nelson Mandela Day held regularly at the Silverbird Galleria, Victoria Island, Lagos.

“The essence of the celebrations is to acknowledge and recognize the significance of Dr. Nelson Mandela’s life journey especially as it concerns the event holding in Nigeria because we all know Nigeria occupies a very important place in the history of the South African struggle. Unity and love are two other things that Mandela stood for which this event represents and which we are also highlighting,” said Mgxwati.

Such is the place of Nigeria to the culture of the new South Africa that the planned President Jonathan’s official state visit from May 6 to 8 is even viewed in some quarters as long overdue, going by the huge similarities in culture and traditions, lifestyle and music characterized in both countries in terms of their multi-cultures, as stronger ties between both countries stand to provide the fulcrum to drive Jonathan’s Transformation Agenda while also boosting South Africa’s economy in the long-run.

Last year alone, Nigeria’s prevalence and conspicuousness on the entertainment scene is credit to a whole plethora of artistes who all combined to register the country on the map of world recognition whether via the movie or the music industry.

Nigeria film industry’s repute went global for the 2012 when even the World Travel Market (WTM) 2012 Industry Report and WTM Global Trends Report which was released at the last quarter of last year acknowledged the country’s booming film industry on tourism.

The report clearly stated that the popularity of Nollywood all over the continent (in such countries like Sierra Leone, Cameroon, Gabon, Kenya, South Africa, Democratic Republic of Congo and The Gambia) means ‘that Nollywood films on their own attract domestic and regional African tourists to Nigeria, visiting film locations’.

The report went on to predict a three per cent rise in tourism to Nigeria in the next four years – claiming that in addition to leisure tourism drawn by the industry, the growing revenue generated by Nollywood will attract business travel.

Also, Nigerian fashion designers on the continent with most of them based in South Africa have consistently raised the bar in performance and turnover for indigenous African designers in sub-Saharan Africa. Designers like Remi Lagos Collection, Rouch By Ronke, Adebayo Jones, Adaora’s Collections, have proved their worth and credibility on the international scene.

This revelation informs therefore that there is an increasing need for Nigeria to formally enter into more bi-national agreements with its African community in order to expand the market for its growing entrepreneurial base, which by extension therefore justifies the Jonathan state visit to South Africa, that is also turning into a huge business hub (although unofficial) for Nigerian business concerns particularly in the informal sector.

For instance, Nigerians visiting South Africa have continued to top arrival figures of all foreign nationals entering the country since 2010, according to statistics released by both South African Tourism (SAT and the South African Immigrations, in the same way that Nigeria has benefitted from the technical expertise imparted on various works of art by Nigerian artistes, especially musicians, who have found the country as choice locations for their music videos in recent times.

However, the rate of growth has sadly not been matched at the .diplomatic and political levels, up until now, of course, hence the visit by Jonathan is appreciated as it is expected to kick-start formal networking with a view to officially straightening out grey areas clogging the wheel of development in the areas of culture and arts seen by many as presenting the bulk of benefits especially for Nigerian entrepreneurs who have of late discovered South African as abounding in opportunities for them.

It would be recalled that in 2011 during a meeting between the Nigerian tourism media and some national agencies in South Africa, including the South African Tourism, South African Airways and the South African High Commission in Nigeria, at the Transcorp Hilton Hotel, Abuja, Mr. Kingsley Mamabolo immediate past  South African High Commissioner in Nigeria, who now presently serves as his country’s Permanent Representative to the United Nations, in New York, had described the lull characterizing the full implementation of the Bi-national Commission agreement signed by governments of both Nigeria and South Africa in 1999 as having to do with bureaucratic challenges for both countries.

The pace of implementation which he described as ‘slow’ needed to be changed, as according to him, it was in the best interest of both countries to work together  as the agreement touches on every aspect of relations.

“In 2009 we celebrated the 10th anniversary of that agreement in both countries. It is a very compressive agreement that touches on everything and every aspect of life. The implementation of that agreement has largely slowed down. South Africa will by October this year issue an invitation to President Goodluck Jonathan aimed at revisiting and speeding up the agreement. We say by October because by then new President would have settled down in office with his new cabinet,” said the envoy.

The South African envoy however, noted that though both countries have failed to speed up the actualization of the contents of the agreement, some agencies and private firms in South Africa have already gone ahead to explore their own opportunities.

This development may have also in part informed a September 2012 meeting held in Pretoria, South Africa, last week between top level officials of the Federal Ministry of Tourism, Culture and National Orientation led by the minister Chief Edem Duke and his South African counterpart Mr. Marthinus van Schalkwyk.

The meeting also had in attendance Nigeria’s High Commissioner in South Africa, Ambassador Sonni Samuel Yusuf and the then Permanent Secretary Mrs Ibukun Odusote.

At that meeting, both governments agreed to accelerate the implementation of the ‘Cooperation in the field of Tourism Agreement,’ earlier signed in 2008 and designed to deepen tourism relations between both countries and the rest of Africa.

The meeting on its part formed highlight of the official four-day working tour of South Africa by the Nigerian Tourism ministry on the invitation of the South African Tourism minister, van Schalkwyk.

The tourism bilateral agreement between South Africa and Nigeria which covers interactions between tourism and travel trade officials; the exchange of tourism research, statistics and human resource development, also includes investment, exchange programmes, joint marketing, and establishment of a joint commission, entry formalities and environmental matters between the two countries.

Minister Duke stressed the need “to continue to forge partnerships and working relationships between Nigeria and South Africa to further boost and grow our tourism sectors to provide employment opportunities, as well as to contribute a significant percentage to the economies of our dear nations”.

“Both Nigeria and South Africa have seen a tremendous partnership and significant engagements in areas such as telecommunications, media, tourism and aviation. This has led to more than US$3 billion in trade volume between South Africa and Nigeria. And there is further rich potential for both countries not only to maintain this mutual and symbiotic relationship, but to up the ante too,” Minister Van Schalkwyk disclosed.

The planned state visit by Jonathan is therefore expected to aggregate all areas of both countries’ economies including the arts and culture industries which has steadily seen financial growth and volume in terms of figures from events and meetings sub-sector driven by the creative industries of both countries.

Currently the two biggest economies in the sub-Saharan African economies, Nigeria and South Africa stand to benefit from an improved and all-sector based bi-national cooperation and agreements that is expected to open doors of opportunities to the over one million legal Nigerian residents in that country, while also clearing the part for more FDIs into Nigeria from South Africa, in the same way as the capacity is anticipated to receive a boost in the technical arts.

At the present level, many frown at the lack of proper framework that should see a better level of cooperation and also among artistes in the creative industries, cultural exchanges, training and capacity building agreements and exhibitions with the result that the two of the undoubtedly, most gifted countries on the continent can share, grow and diversify potential in the creative sector.

“Wrong perceptions, are long embedded in the minds of South Africans.  We need to change the stigma, stop illegal immigrants to South Africa because they are the ones that give the bad name to Nigeria. We need to find a way to make the Nigerians in South Africa understand that illegal business just gives their country a very poor name and status, there must be some literature to all travellers on this matter,” posited a South African travel and hospitality consultant, Elisha Maistry.

Expert have also stressed that only a strong show of intent by Nigeria can breathe life into any previously signed broad-based bi-national agreement with South Africa, as Nigeria is still regarded by many as stalling or dragging on either commitment or full implementation of these agreements.

A Jonathan state visit should send the message across that the country is now ready and fully committed to executing and implementing those agreements with South Africa, as there is still plenty of time to rectify grey areas in those agreements in the light of the historical experiences that Nigeria still shares with the African National Congress (ANC)-led government of President Jacob Zuma.

 

Southern Sun IkoyiBryanston, South Africa-based hotel chain, the Tsogo Sun Group announced Wednesday of its plans to formalize take-over of the Southern Sun, Ikoyi Hotels by investing the sum of US$70 million (N11 billion) representing a 75 per cent stake in a Nigeria hotel.

The hotel chain also announced plans to invest another US$30 million (N4.8 billion) into expanding and renovating a Mozambique hotel.

Tsogo Sun is buying an approximate US$70 million, representing a 75 per cent stake, into the Ikoyi Hotels Limited, the holding company of the 195-room Southern Sun Ikoyi. The hotel has been managed by Tsogo Sun since its 2009 opening.

“This acquisition will cement our presence within the fast-growing Nigerian economy as well as provide a base from which to expand our operations in Nigeria,” said Marcel von Aulock, Tsogo Sun Chief Executive Officer.

In Mozambique, Tsogo Sun will also spend US$30 million to refurbish each existing guestroom and add 110 guestrooms to the 158-room Southern Sun Maputo.

“The Mozambican economy has shown encouraging signs of growth in recent years, and Tsogo Sun has benefitted from a strong trading performance at the Southern Sun Maputo,” Von Aulock said.

Only recently, the Tsogo Sun Holdings, consolidated its operating divisions under one name, unifying its gaming and hotel interests under the Tsogo Sun brand.

Previously its hotel division was named Southern Sun Hotel Group. Tsogo Sun said its Southern Sun brand said then that that arrangement shall remain in use, though, for some of its premier hotels.

Various brands Tsogo Sun currently uses for its 95 hotels include Southern Sun, InterContinenal, Garden Court, Sandton Sun, Beverly Hills, Palazzo, Suncoast, Maia, Sun Square, Stayeasy and Associate Hotels. Each of the hotel brands will now carry the new “Sunburst” logo image in varying sizes and positions.

“We believe that the Tsogo Sun name, combined with the Sunburst logo, will give us the best possible positioning from which to communicate and activate our vision,” said Marcel von Aulock, Tsogo Sun CEO.

Tsogo Sun did not say what the timeline for the change was or how much is being invested in the brand switch. Tsogo Sun’s hotels are located across Southern Africa and the Middle East.

On the hee new Tsogo Sun logo featuring the Sunburst, von Aulock said: “This will enable us to fully leverage and properly position our key intangible assets, namely our brands, under the proudly South African Tsogo Sun brand,” said Rob Collins, Tsogo Sun’s chief marketing officer. “We rise each day to shine and brighten up people’s lives, and we pride ourselves on the energy and passion with which our people approach every interaction with our guests. This is the essence of what we want to convey in our new corporate identity and positioning campaign.”

akpaturoThe future of Nigeria’s rich theatre legacy, built over decades by artists including Africa’s first Nobel literature laureate Wole Soyinka, may be found off stage.

Theatre has been central to some of the defining campaigns in Nigerian history, including the push for independence in 1960, but it is now a struggling art, with actors warning that their industry is in danger.

One factor in the decay is the proliferation of ‘Nollywood’ films, which are not just hugely popular due to their outrageous plotlines and scandalous characters, they’re also cheaper and easier to watch than live plays.

But at the first-ever Lagos Theatre Festival in February, performers spoke of another hurdle: finding a place to perform in Nigeria’s economic capital, one of the world’s largest cities with a population of some 15 million.

Ojoma Ochai, assistant director at the British Council in Lagos which organised the festival, said several of the city’s performance spaces have been converted to churches, notably Pentecostal prayer halls as the Christian movement’s membership has surged.

Some venues have been closed, while others now set astronomical rental fees that theatre companies cannot pay.

“What we discovered is that there is an incredible generation of entrepreneurial, exciting theatre makers…but they have huge infrastructural challenges, in particular over access to spaces,” said Ben Evans, a London-based theatre consultant who helped produce the festival.

“There just aren’t the opportunities to make work on a regular basis and artists need that in terms of keeping their skills alive,” he added.

The concept of the inaugural festival was to showcase theatre staged anywhere apart from an actual theatre in the hope of inspiring further productions in alternative spaces.

The shows were scattered throughout the grounds of the luxury Eko Hotel, Victoria Island, Lagos, which is favoured by the city’s political and business elite.

In the dimly lit parking lot, the cast of the “The Waiting Room” plotted the murder of loved ones in pursuit of a hefty insurance payment.

In “Shattered,” both the actors and audience moved through the hotel’s presidential suite as the rape of a teenage girl by a powerful patriarch was revealed.

A revival of the pidgin English Grip Am, written in 1973 by the celebrated dramatist Ola Rotimi, played out on a patch of unused land near the pool and the tennis court.

Deleke Gbolade, who directed Grip Am said he wants to make work that is seen by the middle and lower classes, but doing so is financially untenable.

“It’s either that theatre companies are folding up or just struggling to make ends meet,” he told AFP, citing unaffordable venue rental fees as a major issue.

At risk is the potential loss of an art form that has been more than “just entertainment” throughout Nigeria’s history, said Duro Oni, the deputy vice chancellor of the University of Lagos (UNILAG) and a theatre historian.

The birth of modern theatre in Nigeria came after World War II, when plays started shifting away from churches and village markets into permanent venues, he said.

The most prominent was Glover Hall on Lagos Island, one of the city’s oldest neighbourhoods, where the flamboyant Herbert Ogunde founded Nigeria’s first professional theatre company, drawing large audiences from both the elite and the working class.

“He saw theatre as a political weapon,” and staged profit-making shows both in Lagos and around the country that overtly supported the nationalist independence cause, Oni said.

The political theatre trend continued with Soyinka’s Dance of the Forests, first performed to coincide with independence in 1960, which prophetically hinted at early signs of trouble for the new nation, including the rampant corruption that has dogged Nigeria ever since.

“That apparently did not go down very well with the government,” said Oni, noting the ensuing persecution of other artists by both military and civilian regimes.

Soyinka, who won the 1986 Nobel literature prize, was imprisoned during the 1967-1970 civil war for alleged spying after travelling to the breakaway republic of Biafra and seeking to negotiate peace.

Young, talented dramatists are still trying to tackle urgent national issues, but their impact is limited in a theatre industry that “is almost dying,” said the playwright and UNILAG professor Bose Afolayan.

“Nollywood has really killed theatre,” she said of the domestic film industry, accusing it of excessive reliance on “sex…glamour (and) exposing the supernatural in Africa.”

There is, however, some hope.

Oni said provocative theatre is still being produced at several universities across the country, while the festival’s producers noted that a wider revival is possible if companies rethink where and how to  stage a play.

As Evans noted, Nigeria still has “a reputation for brilliant theatre makers” including Soyinka, “whose works are produced the world over.”

And, he added, some successful companies, “started in people’s bedrooms with no money.”

Courtesy: AP

Book Title: The Whispering Voice

Author: Dr Maduka Sunny Oby

Publisher: Authorhouse

Year of Publication: 2013

Pages: 217

Reviewer: Frank Osogbue

 

At first site, the book title The Whispering Voice, by Dr Maduka Sunny Oby, is calm but stings you, prompting your imagination and thought to ask “what is this book all about.” It has 217 pages and their contents are inspirational.

It is a great piece of art, exposition and revelation that Maduka bestows upon humanity especially his readers. The book embraces different aspects of life; psychology, philosophy, religion, adventure, literature, love, peace, violence and many others.

Chapter 1– In the Beginning

It opens with a traveller being bored in the airplane and cherishing God’s beautiful work in creation and nature as part effort to free the boredom. Introducing God’s master plan for creating humans to be like him, suddenly, the traveller falls into a trance and now communicating with God directly in which process he gets the three important aspect of human’s creation- dominion, reproduction and relationship.

9781477250815_COVER_FQA.inddHowever, man missed it all and fell to Satan’s deception thereby failing to fulfil destiny and God sent Jesus Christ to restore humans to Himself and their original position. This restoration puts man in a new season requiring right heart, intimate zeal and hunger to relate with God as this determines mans’  success on his mission.

Chapter 2: The movement

The author pictures the ugliness and hopelessness of the plane crash now being compounded by the heavy rainfall and increasing the difficulties of the three survivors. But even in this situation, Dr Joe rises up to thank God for enabling them to see another day.

Trying to care for the little baby who also survived the plane crash while Miss Penns, the third survivor was not actually cooperating to the whole exercise, the rain, however, provided some cool, calm, and refreshing for them, an indication that God is always there.

Chapter 3: Understanding the dimensions of God

This chapter is definitely expository for and to anyone who wants to know God more as well as have good idea of the fundamental belief system in many other religions, as the author points to the works of philosophers, faith exponents, thinkers and theologians, particularly the two fold God concept – transcendent and immanent. Also, he unfolds the basic similarity of Islam, Judaism and Christianity which is the perception of God as one being that must be worshipped as one. They abhor the worship of many gods.

Chapter 4 – The Pharisees

The author started chapter 4 – the Pharisees, with the characteristic or trademark of the Pharisees, they are basically external and static and not spiritual. The Pharisees are hypocritical worshippers seeking all forms of externalities with humanity and never being spiritual and dynamic at anytime. Chapter 4 concludes with the joy of knowing Christ and tragedy of dying without Christ pointing out that everyone has destiny in God but it’s our job to discover, develop and use it to help others or bless humanity.

Chapter 5 – The Promises

Here the author begins to show God as having plan for and in all things and insinuating that God’s purpose and reason will manifest even in negative circumstances. Meanwhile the characters Dr Joe and Miss Penns are just starting to know themselves and searching for a way out of the jungle-crash site.

Chapter 6: The histology of Christmas and the church

It begins with Dr Joe remembering his self- discharge from the army to have time for the Africa assignment and believe that God will direct him in the assignment. Accordingly, the author asserts the various meanings assigned to Christmas by different people before moving on to trace the history of Christmas as the main spice left by the coming of Jesus Christ. Also, he points out what Christmas ought to represent as against what it is taken today – merriment and celebrations instead of evangelism and soul winning.

Chapter 7 – The commencement

Chapter 7 introduces a sharp change as the three survivors of the plane crash are now endangered by strange occurrences in the habitat. Well the danger was the wild pythons of wildlife Africa.

There emerged the challenge of safety from this danger, but suddenly, help came from nowhere, the pythons were dead and the wild beasts dispersed but the ordeal persisted as the soldiers were not friendly at all. Favour smiled and eventually the soldiers became concerned and willing to help while discussing the plight and outlook of government in their country – killing and maiming citizens and collecting aids from international organization. The soldiers narrated the past negative experience and disclosed their mission – helping and saving lives amidst grave evil in the land. And the chapter closes with question of compassion from Prophet Mohammed, the essence of God and godly virtues and the issue of the Babylonian principle.

Chapter 8 – Community building

The author stylishly brings up the need for peaceful co-existence among followers of different faith, indicating that inter-religious tolerance is a key to peace and successful community building. Thus religion needs to be practiced with absolute harmony and not violence or extremism. He points to the personalization of God by each religious group, the opposing views of various socio-political and socio-economic systems of government or human existence.

Chapter 9 – The offset

This chapter unveils the true condition on war and violence victims in Africa and the overwhelming needs for humanitarian aids and supports as well as the wastages in developed societies, with a lip-service disposition on aid supply to victims. It also shows another world of people celebrating spoils not minding the bleak nature of their future and fate in life and a peaceful coexistence rooted in mutual trust.

In the midst of all these, God is still the owner and judge of all, not withstanding our individual lifestyles and shortcomings. Also God does manifest His presence whenever and wherever He wills, He is supreme and sovereign. This chapter is surely loaded with lots of expositions and revelations about God for the benefit of all readers. You will see the ceaseless miraculous hand of God in the life of each soldier or team mate in ensuring their survival.

Chapter 10 – The inquest

The author highlights three essential variables – love, faith and purity, and says so much about true faith in God. The human race needs sacrificial giving and lifestyle in order to save perishing soul savaged by war and violence. Personal commitment, satisfaction and fulfilment are key elements in the whole process.

Chapter 11- Liberation

Chapter 11 is quite lengthy but the conclusion hinges on the need to know God’s assignment and make a quality decision to obey notwithstanding any circumstance.

In summary, the author has touched every aspect of life and the underlying source of existence which is God, showing His infinite power and gracious mercies in working the miraculous and restoring order to humanity irrespective of mans’ shortcomings. Firm belief in Christ and God, and commitment to assignment is what gives man meaning, worth and fulfilment of mission or destiny.

satThe South African Tourism Indaba 2013, Africa’s top travel show, is set to offer unrivalled opportunities, innovations and networking platforms for the tourism trade and international buyers this year to stimulate tourism business in a market growing well above the rate of global growth.

According to figures, South Africa had attracted over 8.3 million international tourists between January and November 2012, and grown at 10.5 per cent (against average global tourism growth of 4 per cent in 2012), as the country continued to entrench its reputation as a world-class leisure and business events destination.

For all global and local companies, individuals or tourism industry stakeholders keen to share in this growth story, Indaba 2013 at the Durban’s Inkosi Albert Luthuli International Convention Centre from May 11 to 14, will be an unmatched event on the regional African tourism calendar not to be missed.

Last year’s Indaba 2013theme of “Shaping our Future Together” – which paid tribute to the joint efforts of South Africa’s tourism industry and its global partners in achieving the phenomenal growth in recent years – will again be the theme at Indaba 2013, which will also have a strong ‘Heritage and Culture’ focus.

For anyone wanting to do business with South Africa and its Southern African neighbours and to get a better feel for the regional African tourism industry, Indaba 2013 will be a treasure trove of key introductions, business opportunities and exposure to hundreds of exhibitors across the tourism spectrum. For the tourism industry, there is the opportunity to interact and forge strong business links with some of the world’s top travel buyers.

Over 1 165 main and sharing exhibitors and 2 000 international and local buyers – 250 of them top international buyers hosted by South African Tourism – have already confirmed their attendance at Indaba 2013, with that number growing daily.

While South Africa is a destination of spectacular beauty, offering every conceivable tourist attraction under the African sun to suit every pocket, the destination’s differentiator is its warm, hospitable people and the memories they leave visitors with long after they’ve left.

A major new addition at Indaba 2013 this year will be a ‘Heritage and Culture Pavilion’ located at the Durban Exhibition Centre, which will innovatively showcase South Africa’s world heritage sites, its leisure offerings, culture, art, design and music – all of which combine to tell South Africa’s story, its history, its future and gives better insight into its people.

The pavilion is a major project undertaken by the National Department of Tourism and South African Tourism, in collaboration with the MOJA Heritage Collection, and it will be an exhibition of some of the country’s best heritage and culture tourist offerings and distinctively South African tourism products.

All delegates – exhibitors, buyers, media and visitors – are encouraged to visit the ‘Heritage and Culture’ pavilion, to experience South African stories woven in folklore, myth and history and the country’s globally celebrated sense of style in design, arts and crafts.

“Our market research shows that travellers are increasingly looking to experience the unique, authentic, personal South African stories. They are looking to meet the locals, experience where they live, eat where they eat and be part of the country’s culturally rich lifestyle, while learning about the history of this great country. The Heritage and Culture pavilion will be an exciting addition to Indaba 2013 and we have also included a number of new elements to the show this year which will be of major value to buyers and exhibitors,” says South African Tourism Chief Executive Officer Thulani Nzima.

Indaba is primarily a trade show and to this end the Speed Marketing sessions, which were very popular at INDABA 2012, will again be an even more integral part of the show this year, with the focus on National Parks of South Africa on Saturday, Heritage and Culture on Sunday and Wine Routes of South Africa on Monday. The speed marketing sessions will give hundreds of international buyers the invaluable opportunity of being exposed to – and to do business with – a wide cross-section of South African tourism products.

The Tourism Grading Council of South Africa (TGCSA) will again at Indaba 2013 host a master class with TripAdvisor, the world’s biggest and most influential travel website with 60 million unique monthly users. The workshop will be open to all star-graded accommodation establishments and will be an invaluable session, providing tips first-hand from TripAdvisor experts on how best to use the platform to market your establishment to a worldwide and increasingly socially-engaged audience.

Another exciting feature at Indaba for the first time will be a Travel Bloggers conference on the eve of the show, attended by some of the most influential international and local bloggers, who will unpack the changing face of destination marketing and the importance of personalised, user-generated content and social media engagement and its impact for the tourism trade.

At Indaba this year, particular attention has been paid to making sure that exhibitors, buyers, media and stakeholders are able to connect with all the key people, places and things they need for a successful Indaba.

One of the innovations this year, besides the information on the website, mobile app and social media coverage of the event, is technology specifically designed to allow easy connections – which will be called ‘Indaba Connect’.

Indaba Connect is a simple, but powerful platform that allows information, contact details, images and presentations to be easily shared among show delegates, in a very simple integrated way. By simply touching a delegate or exhibitor’s tag at an exhibitor’s stand, presentation, event or activation, users will have all the information attached to their online Indaba Connect profile, which will make getting in touch easier and more productive than sharing business cards, brochures and CD-Roms or USB sticks. This will also enable better engagement for delegates before, during and after the show – allowing for more meaningful connections this year.

The Matchmaking diary system, designed to facilitate important business connections between exhibitors and buyers at Indaba, will again be in place.

“The South African tourism industry is a very exciting one to be part of right now and we are confident the growth we are experiencing will translate into increased business opportunities. Our potential is huge and to unleash it we are working hard to attract quality global buyers to Indaba 2013, who are committed to doing tourism business with South Africa and to tap into our destination’s unique and diverse offerings. Despite tough economic times, South Africa’s tourism industry has continued to see growth in recent years and as a collective we need to grow and shape the future of our industry together. Indaba remains the premier regional African tourism platform for global buyers to gain easy access to the widest possible cross-section of the South African tourism industry – all under one roof – and we are very excited about the show this year,” says Nzima.

Over 600 local and international journalists and broadcasters are set to cover all the tourism news and trends at Indaba. A number of news-gathering events and activations have been planned, including topical briefings to give insight into South African Tourism’s market outlook, in-market campaigns and activities.